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For Whom the Bell Tolls became a Book of the Month Club choice, sold half a million copies within months, was a finalist for the Pulitzer Prize, and became a literary triumph for Hemingway. [11] Published on October 21, 1940, the first edition print run was 75,000 copies priced at $2.75.
"For Whom the Bell Tolls" is a song by American thrash metal band Metallica. It was first released on their second studio album, Ride the Lightning (1984). Elektra Records also released it as a promotional single, with both edited and full-length versions. In March 2018 the song ranked number five on the band's live performance count. [2]
"The Bells" is a heavily onomatopoeic poem by Edgar Allan Poe which was not published until after his death in 1849. It is perhaps best known for the diacopic use of the word "bells". The poem has four parts to it; each part becomes darker and darker as the poem progresses from "the jingling and the tinkling" of the bells in part 1 to the ...
"For Whom the Bell Tolls" is a song by the Bee Gees, released on 15 November 1993 by Polydor Records as the second single from their 20th studio album, Size Isn't Everything (1993). It was both written and produced by the brothers, peaking at number four on the UK Singles Chart and number six in Ireland.
Paul Simon Considers God, Man and for Whom the Bell Tolls in Quietly Stunning ‘Seven Psalms’: Album Review. Chris Willman. May 19, 2023 at 3:28 PM. ... sometimes plain-spoken lyrics. Religion ...
The fashion for coterie poetry of the period gave Donne a means to seek patronage. Many of his poems were written for wealthy friends or patrons, especially for MP Sir Robert Drury of Hawsted (1575–1615), whom he met in 1610 and who became his chief patron, furnishing him and his family an apartment in his large house in Drury Lane. [11]
John Donne, aged about 42. Donne was born in 1572 to a wealthy ironmonger and a warden of the Worshipful Company of Ironmongers, and his wife Elizabeth. [2] After his father's death when he was four, Donne was trained as a gentleman scholar; his family used the money his father had made to hire tutors who taught him grammar, rhetoric, mathematics, history and foreign languages.
But Gidget, the gentle-yet-firm Taco Bell Chihuahua, was the real thing: the commercial face of the brand who inspired not just hunger, but joy; not just commerce, but compassion.