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Koyaanisqatsi [b] is a 1982 American non-narrative documentary film directed and produced by Godfrey Reggio, featuring music composed by Philip Glass and cinematography by Ron Fricke. The film consists primarily of slow motion and time-lapse footage (some of it in reverse) of cities and many natural landscapes across the United States.
The trilogy includes Koyaanisqatsi (1982), Powaqqatsi (1988), and Naqoyqatsi (2002). The titles of the films are derived from the Hopi language , in which the word qatsi translates to "life." The series was produced by the Institute For Regional Education, who also created the Fund For Change.
Koyaanisqatsi: 1982 7 The first part in the Qatsi trilogy directed by Godfrey Reggio. Production began in 1975 and ended in 1982. [60] Legend of Destruction: 2021 8 An Israeli animated film where three and a half years were spent with concept development, initial sketches and storyboarding, followed by four and a half years of producing the ...
Oscilloscope Laboratories has acquired North American rights to “Once Within a Time” from Godfrey Reggio, the experimental filmmaker behind the cult masterpiece “Koyaanisqatsi.” The indie ...
Baraka is a 1992 American non-narrative documentary film directed by Ron Fricke.The film is often compared to Koyaanisqatsi, the first of the Qatsi films by Godfrey Reggio for which Fricke served as cinematographer. [2]
With an 86-year-old composer and an 80-year-old director, it’s impressive that Reggio’s producers then gathered a crew for “Once Within a Time” that had the average age of 27.
Powaqqatsi [a] is a 1988 American non-narrative film directed by Godfrey Reggio and the sequel to Reggio's experimental 1982 film, Koyaanisqatsi. It is the second film in The Qatsi Trilogy, which was followed by Naqoyqatsi (2002). The film's title is a Hopi neologism coined by Reggio meaning "parasitic way of life" or "life in transition".
After serving as director of photography for Koyaanisqatsi (1982, directed by Godfrey Reggio), Fricke directed the IMAX films Chronos (1985) and Sacred Site (1986).. He directed the purely cinematic non-verbal non-narrative Baraka (1992), designing his own 65 mm camera equipment for the feature, and earning broad critical acclaim.
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