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In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
A term, now archaic, originating from jazz musicians referring specifically a set of drums (kick, snare, toms, hi-hat, etc.) slapping or slap bass. In reference to the electric bass, this term refers to a percussive, funky style of playing in which the low strings are slapped and the high strings are popped, used in funk, Latin, and pop.
Comes before other terms; e.g. poco diminuendo ("a little diminishing") poco a poco: little by little "Slowly but steadily." Comes before other terms; e.g. poco a poco crescendo ("increasing little by little") ma non tanto: but not so much: Comes after other terms; e.g. adagio ma non tanto ("not quite at ease") ma non troppo: but not too much
A stele (/ ˈ s t iː l i / STEE-lee), from Greek στήλη, stēlē, plural στήλαι stēlai, [Note 1] is a stone or wooden slab, generally taller than it is wide, erected in the ancient world as a monument. The surface of the stele often has text, ornamentation, or both. These may be inscribed, carved in relief, or painted.
The Seikilos epitaph is an Ancient Greek inscription that preserves the oldest surviving complete musical composition, including musical notation. [1] [2] Commonly dated between the 1st and 2nd century AD, the inscription was found engraved on a pillar from the ancient Hellenistic town of Tralles (present-day Turkey) in 1883.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
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Mozart's Piano Sonata, K 545 opening. The right hand plays the melody, which is in the top stave. The left hand plays the accompaniment part, which is in the lower stave. In the first bar of the accompaniment part, the pianist plays a C Major chord in the left hand; this chord is arpeggiated (i.e., a chord in which the notes are played one after the other, rather than simultaneousl