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Bird_Kilim_Motif,_for_luck_and_happiness,_etc.jpg (499 × 215 pixels, file size: 16 KB, MIME type: image/jpeg) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
A wycinanka pattern from Lublin, 1915. Vytynanky (Витина́нки) in Ukraine or Wycinanki ([vɨt͡ɕiˈnaŋkʲi]) in Poland or Vycinanki (Выцінанкі) in Belarus, is a Slavic version of the art form of papercutting, popular in Belarus, Poland, and Ukraine.
The technique used by Morris for making wallpaper was described in some detail in Arts and Crafts Essays by Members of the Arts and Crafts Exhibition Society published in 1893. The chapter on wallpaper was written by Walter Crane. He describes how the wallpapers of Morris were made using pieces of paper thirty-feet long and twenty-one inches wide.
More than 100 pages use this file. The following list shows the first 100 pages that use this file only. A full list is available.. Aachen Lacquer Shield Owl pigeon; Altenburg Trumpeter
Strawberry Thief, 1883, William Morris (1834-1896) V&A Museum no. T.586-1919 Strawberry Thief is one of William Morris's most popular repeating designs for textiles. [1] It takes as its subject the thrushes that Morris found stealing fruit in his kitchen garden of his countryside home, Kelmscott Manor, in Oxfordshire.
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. [1] Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world.
The bird-and-flower motif started appearing in Japanese art around the Muromachi period during the 14th century, and developed its own distinct style. It also entered ukiyo-e woodblock printing, where it was known as kachō-e (花鳥絵). Especially the shin hanga movement produced a number of works with this motif starting in the Meiji era.
A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. [1] A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does.
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