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This is an accepted version of this page This is the latest accepted revision, reviewed on 3 December 2024. A retiarius ("net fighter") with a trident and cast net, fighting a secutor (79 AD mosaic). There were many different types of gladiators in ancient Rome. Some of the first gladiators had been prisoners-of-war, and so some of the earliest types of gladiators were experienced fighters ...
A retiarius stabs at a secutor with his trident in this mosaic from the villa at Nennig, c. 2nd–3rd century CE.. A retiarius (plural retiarii; literally, "net-man" in Latin) was a Roman gladiator who fought with equipment styled on that of a fisherman: a weighted net (rete (3rd decl.), hence the name), a three-pointed trident (fuscina or tridens), and a dagger ().
In the mid-1980s, and again in Art-deco-style, Enric Bug designed two sculptures titled Taus (male) and Alix (female), [18] both of anthropomorphic, robot-like appearance with the absence of facial expression, each holding a fluorescent tube. [1] [5] Taus was used as a prop on the set of the movie Batman (1989) [19] and Alix in The Two Jakes ...
Irrespective of their origin, gladiators offered spectators an example of Rome's martial ethics and, in fighting or dying well, they could inspire admiration and popular acclaim. They were celebrated in high and low art, and their value as entertainers was commemorated in precious and commonplace objects throughout the Roman world.
The murmillo's fighting style was suited for men with strong arms and shoulders due to carrying the weight of the shield, sword and heavy helmet. As a result, murmillones were usually tall and always very muscular. [8] The murmillo depended on his strength and endurance to survive the battle against foes who were more suited to attacking.
The Romans of the Classical period had no specific word for female gladiators as a type or class. [1] The earliest reference to a woman gladiator as gladiatrix is by a scholiast in the 4th–5th century, who mockingly wonders whether a woman undergoing training for a performance at the ludi for the Floralia, a festival known for racy performances by seminude dancers, wants to be a gladiatrix ...
In ancient Greek art, warriors on reliefs and painted vases were often shown as nude in combat, which was not in fact the Greek custom, and in other contexts. Idealized young men (but not women) were carved in kouros figures, and cult images in the temples of some male deities were nude. Later, portrait statues of the rich, including Roman ...
Hellenistic Greek style and leadership expectations carried over into Roman leadership portraiture. One significant example is the Severan Period marble portrait of the emperor Caracalla . Nearly all representations of Caracalla reflect his military prowess through his frighteningly aggressive expression.
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