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Tonality is an organized system of tones (e.g., the tones of a major or minor scale) in which one tone (the tonic) becomes the central point for the remaining tones. The other tones in a tonal piece are all defined in terms of their relationship to the tonic.
Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, [ 1 ] [ 2 ] although examples became more common in the nineteenth century. [ 3 ]
A major interval is one semitone larger than a minor interval. The words perfect, diminished, and augmented are also used to describe the quality of an interval.Only the intervals of a second, third, sixth, and seventh (and the compound intervals based on them) may be major or minor (or, rarely, diminished or augmented).
111 Canons in all major and minor tonalities: Book I: Two-Part Canons (63) piano 1895 [be] [109] Book I: There are 2 successive canons for each key, except B and b (3 each), and f# (4). Also, e♭ appears in different places in the sequence, for a total of 4 canons. 111 Canons in all major and minor tonalities: Book II: Three-Part Canons (48 ...
The major VIth degree in minor is the only one where both functions, sP (major relative of the minor subdominant) and tG (major counterparallel of the minor tonic), are equally plausible. Other signs (not discussed here) are used to denote altered chords, chords without fundamental, applied dominants, etc. Degree VII in harmonic sequence (e.g.
Major and minor, the adjectives used to describe the tonality of a scale, key, or chord; Major-minor tonality, a system of music in which specific hierarchical pitch relationships are based on a key "center" or tonic; Major/minor composition, a musical composition that begins in a major key and ends in a minor key; Major/Minor, an album by Thrice
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
Since the natural minor scale is built on the 6th degree of the major scale, the tonic of the relative minor is a major sixth above the tonic of the major scale. For instance, B minor is the relative minor of D major because the note B is a major sixth above D. As a result, the key signatures of B minor and D major both have two sharps (F ...