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It is the first open-source font family from Adobe, distributed under the SIL Open Font License. [ 3 ] [ 4 ] The typeface is inspired by the forms of the American Type Founders ' gothics by Morris Fuller Benton , such as News Gothic , Lightline Gothic and Franklin Gothic , modified with both a larger x-height and character width and more ...
(Curved letters such as a, c, e, m, n, o, r, s, and u tend to exceed the x-height slightly, due to overshoot; i has a dot that tends to go above x-height.) One of the most important dimensions of a font, x-height defines how high lowercase letters without ascenders are compared to the cap height of uppercase letters.
It was released in 2011 and is based on his earlier design called Droid Sans, which was specifically created for Android mobile devices but with slight modifications to its width. The typeface is characterized by its wide apertures on many letters and a large x-height , making it highly legible on screens and at small sizes.
Century Gothic has a high x-height (tall lower-case characters). Its origins (see below) come from a design intended for large-print uses such as headings and signs, and so it has a reasonably purely geometric design closely based on the circle and square, with less variation in stroke width than fonts designed for small sizes tend to show, and ...
The project was started in 2010 by Ulanovsky [2] and was released through the Google Fonts catalogue in 2011. Montserrat has become increasingly popular among web designers, and it is used on over 17 million websites. [3] Featuring a large x-height, short descenders and wide apertures, this typeface achieves high legibility even in small sizes.
ITC Benguiat Gothic is a sans-serif variant for the original serif font family. Both faces are loosely based upon typefaces of the Art Nouveau period but are not considered academic revivals. The face follows ITC's design formulary of an extremely high x-height, combined with multiple widths and weights.
Like many designs of this type, Verdana has a large x-height (tall lower-case characters), with wider proportions and looser letter-spacing than on print-orientated designs like Helvetica. The counters and apertures are wide, to keep strokes clearly separate from one another, and similarly shaped letters are designed to appear clearly different ...
Font-wide metrics include cap height (the height of the capitals), x-height (the height of the lowercase letters) and ascender height, descender depth, and the font bounding box. Glyph-level metrics include the glyph bounding box, the advance width (the proper distance between the glyph's initial pen position and the next glyph's initial pen ...
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