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Jacques-Louis David, Self-Portrait, 1791 The painting represents the artist facing himself. He appears on a yellow-gray plain background. David is dressed in a dark overcoat with wide chestnut lapels and a white shirt, tied with a scarf of the same color–a typical approach to fashion in the 1790s. [3]
The painting was very much in tune with the political climate at the time. For this painting, David was not honored by a royal "works of encouragement". The Lictors Bring to Brutus the Bodies of His Sons (1789) For his next painting, David created The Lictors Bring to Brutus the Bodies of His Sons. The work had tremendous appeal for the time.
National Gallery of Art, Washington D.C. The Three Women of Gand: 1812 oil on canvas 132 × 105 Louvre Museum, Paris Portrait of Madame David: 1813 oil on canvas 73 × 60 National Gallery of Art, Washington D.C. Apelles Painting Campaspe in the Presence of Alexander the Great: 1814 oil on canvas 96.5 × 136 Palais des Beaux-Arts de Lille, Lille ...
In the Sedaine family, the painting then passed into the collection of the Comte de Brissay, son-in-law of Sedaine. In 1860 the House of the Emperor acquired it for 3000 francs, and it was installed at the National School of Fine Arts. The painting was restored in 1860 and 1981. [1]
In 2001, art historian T. J. Clark called David's painting the first modernist work for "the way it took the stuff of politics as its material, and did not transmute it". [3] The painting is in the collection of the Royal Museum of Fine Arts of Belgium. A replica, created by the artist's studio, is on display at the Louvre. [4]
Sir David, 98, said: “It was a tremendous honour to be elected a fellow of the Royal Society over 40 years ago, and that my portrait has now been painted by such a master as Jonathan Yeo for the ...
Art exhibition at the King's Gallery, Buckingham Palace [a] The Royal Collection of the British royal family is the largest private art collection in the world. [1] [2] [3] Spread among 13 occupied and historic royal residences in the United Kingdom, the collection is owned by King Charles III and overseen by the Royal Collection Trust.
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