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Self-Portrait (1623) by Rubens. Self-Portrait is a 1623 self-portrait in oils on canvas by Peter Paul Rubens, signed and dated by the artist.He produced it to send to the Prince of Wales (the future Charles I, King of England, Scots, and Ireland) and it is still in the Royal Collection.
Portrait of Queen Charlotte is a 1789 portrait painting by the English artist Thomas Lawrence of the British queen Charlotte of Mecklenburg-Strelitz. Lawrence had emerged as a child prodigy and had been painting society portraits in Bath for a number of years before relocating to London. Lawrence was twenty when he painted Queen Charlotte.
In The Prodigal Son in the Tavern (c1637), one of the earliest self-portraits with family, the painting probably includes Saskia, Rembrandt's wife, one of the earliest depictions of a family member by a famous artist. Family and professional group paintings, including the artist's depiction, became increasingly common from the 17th century on.
The last three etchings date to 1648, [5] c. 1651, [6] and 1658, [7] whereas he was still painting portraits in 1669, the year he died at the age of 63. [8] At one time about ninety paintings were counted as Rembrandt self-portraits, but it is now known that he had his students copy his own self-portraits as part of their training. [9]
Self-Portrait as the Allegory of Painting, also known as Autoritratto in veste di Pittura or simply La Pittura, was painted by the Italian Baroque artist Artemisia Gentileschi. The oil-on-canvas painting measures 98.6 by 75.2 centimetres (38.8 in × 29.6 in) and was probably produced during Gentileschi's stay in England between 1638 and 1639.
Art exhibition at the King's Gallery, Buckingham Palace [a] The Royal Collection of the British royal family is the largest private art collection in the world. [1] [2] [3] Spread among 13 occupied and historic royal residences in the United Kingdom, the collection is owned by King Charles III and overseen by the Royal Collection Trust.
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According to art historian Richard Saunders, "Feke’s impact on the development of Colonial painting was substantial, and his pictures set a new standard by which the work of the next generation of aspiring Colonial artists was judged." [1] In total, about 60 paintings by Feke survive, twelve of which are signed and dated. [1]
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