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A cover version of "Call on Me" by 2000's Stars appears in 2007 Wii game Dance Dance Revolution Hottest Party. [37] Girl Talk sampled the song on "Hands in the Air", which appeared on his fourth album Feed the Animals (2008). [38] English electronic duo Disclosure released a remix of "Call on Me" known as the "Disclosure Bootleg" in 2012. [39]
"Call on Me" prominently features a sample of English singer-songwriter Steve Winwood's 1982 song "Valerie" from his album Talking Back to the Night.French duo Together, consisting of Daft Punk member Thomas Bangalter and producer DJ Falcon, had sampled "Valerie" as a live tool in a DJ set in 2002.
Printable version; In other projects Wikidata item; Appearance. move to sidebar hide. Call on Me may refer to: Music. Albums. Call on Me, a 1980 ... "Call on Me", by ...
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
The 1948 edition of the First Suite in E ♭ was the first since the original Boosey & Co. publication of 1921. With developments in instrumentation in the United States during the two decades following the original published version, there were calls for a newer, more accessible edition.
For example, there are a number of songs in E major which use the ♭ III chord (e.g., a G major chord used in an E major song), the ♭ VII chord (e.g., a D major chord used in an E major song) and the ♭ VI chord (e.g., a C major chord used in an E major song). All of these chords are "borrowed" from the key of E minor.
E-flat major was the second-flattest key Mozart used in his music. For him, E-flat major was associated with Freemasonry; "E-flat evoked stateliness and an almost religious character." [4] Edward Elgar wrote his Variation IX "Nimrod" from the Enigma Variations in E-flat major. Its strong, yet vulnerable character has led the piece to become a ...
Loughnane was the last original Chicago member to receive a songwriting credit. According to Cetera, though, he needed some help. "I tried to help Lee Loughnane with a song," Cetera says, "and that song turned out to be 'Call On Me.' Lee had written a song. It wasn't called, 'Call On Me,' it was called something else, and it in fact was terrible.