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"Bombtrack" is a song by American rock band Rage Against the Machine. It is the band’s third single and the opening track on their self-titled debut album.. Like most of Rage Against the Machine's songs, the song's lyrics discuss social inequality, proclaiming that "landlords and power whores" were going to "burn".
Rage Against the Machine is the debut studio album by American rock band Rage Against the Machine. [6] It was released on November 3, 1992, by Epic Records , one day after the release of the album's first single, " Killing in the Name ". [ 7 ]
Rage Against the Machine (often abbreviated as RATM or shortened to Rage) was an American rock band formed in Los Angeles, California in 1991. The band consisted of vocalist Zack de la Rocha , bassist and backing vocalist Tim Commerford , guitarist Tom Morello , and drummer Brad Wilk .
Rage Against the Machine in 2007. Rage Against the Machine was an American rock band from Los Angeles, California. Formed in 1991, the group consisted of vocalist Zack de la Rocha, guitarist Tom Morello, bassist Tim Commerford and drummer Brad Wilk. [1]
[2] [3] Rage Against the Machine singles "Killing in the Name", "Bullet in the Head" and "Bombtrack" charted in the United Kingdom and several other regions. [4] The band returned in 1996 with its second studio album Evil Empire, [1] which topped the Billboard 200 and was again certified three times platinum by the RIAA.
"Calm Like a Bomb" is a song by American rock band Rage Against the Machine from their third album The Battle of Los Angeles. Like their song "Tire Me" from the 1996 album Evil Empire, “Calm Like a Bomb” never had a music video or was released on any media formats. It did, however, receive enough radio airplay to become an album favorite.
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"Wake Up" is a song by American rock band Rage Against the Machine. It is the seventh track from their self-titled debut album.While never released as a single, it remains a staple of their live shows and is usually played as the last song before the encore; the spoken word portion of the song, using a real memo from J. Edgar Hoover, is often replaced with a speech addressing contemporary ...