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He was the featured soloist on The Music from Peter Gunn soundtrack, performing the alto saxophone solo on the theme and on the second bridge of "Dreamsville". [5] He was known for his mastery of the extreme altissimo register of the saxophone. He wrote Ted Nash's Studies in High Harmonics for Tenor and Alto Saxophone published in 1946. [6]
Turner has mentioned both Marsh and Coltrane as influences, and has used elements of both players' styles in his music. [3] Turner's range extends into the high altissimo register. His improvised lines tend to span several octaves and contain great harmonic and rhythmic complexity.
Saxophone altissimo is generally considered to be any note that is higher than written high F ♯, which is considered the highest note in the saxophone's regular range. Altissimo is produced by the player using various voicing techniques such as air stream, tongue, throat and embouchure variations to disturb the fundamental of a note, which ...
In his playing Desmond was also notable for his ability to produce extremely high notes, the altissimo register, on his saxophone. Desmond played a Selmer Super Balanced Action model alto saxophone with an M. C. Gregory model 4A-18M hard rubber mouthpiece, both dating from circa 1951, with a moderately stiff Rico 3 ½ reed. [21]
Altissimo: Philips: Charlie Mariano, Jackie McLean, Lee Konitz, Joachim Kühn, Han Bennink, Palle Danielsson: 1975 The Shadow Do! Prestige [8] Hubert Eaves III, Michael Henderson, Reggie Lucas, James Mtume, Howard King 1976 Juju Man: Catalyst: Curtis Robertson, Howard King, Charles Mims, Syreeta: 1977 Music Is My Sanctuary: Capitol: Syreeta ...
F, person or group uses an F Mezzo-soprano saxophone in addition to the E♭ alto sax. This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
The man’s name is Tim, or Timmy, Cappello, and at age 68 he’s still baring his biceps, blowing that sax, and rocking the heavy-metal neck-chains.
A few players played above high F before 1940, including H. Benne Henton of the Conway Band c. 1911 (to high D), Dick Stabile, an early jazz artist (to high F), and Jascha Gurewitz, an early recitalist (to high F#). Raschèr was vocal in encouraging composers to make use of this extended range. He was eager to demonstrate his command of these ...