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Despite the name similarity, the film is not a part of Sergio Leone's Dollars trilogy. Evidently the film was inspired by this. Evidently the film was inspired by this. On release in the United States, several of the cast members and production team had their names changed for the English audience.
The Dollars Trilogy (Italian: Trilogia del dollaro), also known as the Man with No Name Trilogy (Italian: Trilogia dell'Uomo senza nome), is an Italian film series consisting of three spaghetti western films directed by Sergio Leone.
10.000 dollari per un massacro (internationally released as $10.000 Blood Money and Guns of Violence) is a 1967 Italian spaghetti Western film directed by Romolo Guerrieri.. The film was one of the unofficial sequels of Django, and had the working title 7 dollari su Django ("7 Dollars on Django").
The film itself loosely follows the plot of the Sergio Leone movie, featuring three men on a quest for a hidden treasure. In the opening scene of the film, the three bandits who arrive in town clearly resemble the characters Tuco, Sentenza ( Lee Van Cleef ), and Blondie ( Clint Eastwood ).
Paramount Pictures has released a new trailer for “Mission: Impossible – Dead Reckoning Part One,” teasing Tom Cruise’s seventh, and likely penultimate, mission as IMF agent Ethan Hunt. In ...
Duck, You Sucker! (Italian: Giù la testa, lit."Duck Your Head", "Get Down"), also known as A Fistful of Dynamite and Once Upon a Time ... the Revolution, is a 1971 epic Zapata Western film directed and co-written by Sergio Leone and starring Rod Steiger, James Coburn, and Romolo Valli.
Antonio Ruiz Escaño (born 24 October 1951), known as El Niño Leone, is a Spanish former child actor and stuntman. He is known for playing Fernando in For a Few Dollars More (1965), [ 1 ] and Stevens's youngest son in The Good, the Bad and the Ugly (1966), both directed by Sergio Leone . [ 2 ]
Dollars for a Fast Gun (also known as 100.000 dollari per Lassiter and La muerte cumple condena) [2] is a 1966 Italian-Spanish comedy western film directed by Joaquín Luis Romero Marchent [3] with Mariano Canales as the assistant director, [4] it was written by Sergio Donati, [5] and scored by Marcello Giombini. [6]