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The True Vine (Greek: ἡ ἄμπελος ἡ ἀληθινή hē ampelos hē alēthinē) is an allegory or parable given by Jesus in the New Testament. Found in John 15:1–17 , it describes Jesus' disciples as branches of himself, who is described as the "true vine", and God the Father the "husbandman".
Christ the Vine is associated with the parable or allegory of the True Vine. It is referenced heavily in John 15:1–17. Jesus refers to his followers as branches of himself. The work is a pictorial representation of the parable of the True Vine. The theme was copied by countless painters. Angelo’s paintings were the earliest versions.
A vine (from Latin vīnea 'grapevine, vineyard'; from vīnum 'wine') is any plant with a growth habit of trailing or scandent (that is, climbing) stems, lianas, or runners. The word vine can also refer to such stems or runners themselves, for instance, when used in wicker work.
The chapter introduces the extended metaphor of Christ as the true vine. The Father is the vinedresser, vinegrower or husbandman . [ 9 ] His disciples are said to be branches ( Greek : τα κληματα , ta klémata , specifically meaning vine branches) [ 10 ] which must 'abide' in him if they are to 'bear fruit'.
Christ, therefore, is the keeper of the vine, that is, of the synagogue, to whom God said, "Cut it down, for now for three years in which Thou hast preached to it, I have looked for the fruit of faith and good works, and I find none, from the unbelief, perverseness, and malice of the Jews."
The True Vine theme is also part of the New Testament. It is a parable or allegory found in John 15:1–17. It describes Jesus's disciples as branches of himself. The Moskos version Christ the Vine is an identical copy of a painting in the Byzantine and Christian Museum identified by historians as a mid-16th-century icon created by an unknown ...
His attendants at the Bacchanalian festivals hence had the vine as an attribute, together with the thyrsus, the latter often entwined with vine branches. For the same reason, the Greek wine cup ( cantharos ) is commonly decorated with the vine and grapes, wine being drunk as a libation to the god.
Christ the Vine was a popular theme among Cretan painters. Angelos Akatontos covered the theme during the early Cretan Renaissance in the 15th century. Angelo's Christ the Vine is located at the Monastery of the Virgin Hodegetria, Heraklion, Crete. Earlier versions of the theme during the Byzantine empire can be linked to the Tree of Jesse.