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The Annunciation has been one of the most frequent subjects of Christian art. [ 1 ] [ 2 ] Depictions of the Annunciation go back to early Christianity, with the Priscilla catacomb in Rome including the oldest known fresco of the Annunciation , dating to the 4th century.
Annunciation (c. 1472–1475), Uffizi, is thought to be Leonardo da Vinci's earliest complete work. The Annunciation (from the Latin annuntiatio; also referred to as the Annunciation to the Blessed Virgin Mary, the Annunciation of Our Lady, [1] or the Annunciation of the Lord; Ancient Greek: Ο Ευαγγελισμός της Θεοτόκου) is, according to the Gospel of Luke, the ...
The Order of the Annunciation of the Blessed Virgin Mary (Latin: Ordo de Annuntiatione Beatæ Mariæ Virginis), also known as Sisters of the Annunciation or Annonciades, is an enclosed religious order of contemplative nuns founded in honor of the Annunciation in 1501 at Bourges by Joan de Valois, also known as Joan of France, daughter of King Louis XI of France, and wife of Louis, the Duke of ...
The text also appears in the account of the annunciation contained in chapter 9 of the apocryphal Infancy Gospel of Matthew. The second part of the prayer is taken from Elizabeth's greeting to Mary as recorded in Luke 1:42: "Blessed art thou among women, and blessed is the fruit of thy womb."
The earliest evidence for a Feast of the Annunciation or Incarnation is from the sixth century, [5] [6] although the Catholic News Agency dates it to the fifth century. [2] The first certain mentions of the feast are in a canon, of the Council of Toledo in 656, where it was described as celebrated throughout the Church, and in another of the Council of Constantinople "in Trullo" in 692, which ...
The Seven Joys of the Virgin (or of Mary, the Mother of Jesus) is a popular devotion to events of the life of the Virgin Mary, [1] arising from a trope of medieval devotional literature and art. The Seven Joys were frequently depicted in medieval devotional literature and art. The seven joys are usually listed as: The Annunciation; The Nativity ...
The Prado Annunciation is an altarpiece painted by the Italian Renaissance painter Giovanni da Fiesole, known as Fra Angelico, in the 1420s. It is one of his best-known works. Originally destined for the convent of the observant Dominicans of Fiesole, the painting is currently in the collection of the Museo del Prado in Madrid.
Fra Angelico, O.P. (born Guido di Pietro; c. 1395 [1] – 18 February 1455) was a Dominican friar and Italian Renaissance painter of the Early Renaissance, described by Giorgio Vasari in his Lives of the Artists as having "a rare and perfect talent". [2]