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Locked hands style is a technique of chord voicing for the piano. Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison.
Johnny B. Moore (born Johnny Belle Moore, January 24, 1950, Clarksdale, Mississippi) [2] is an American Chicago blues and electric blues guitarist, singer and songwriter. [1] He was a member of Koko Taylor's backing band in the mid-1970s.
This is a plagal cadence featuring a dominant seventh tonic (I or V/IV) chord. However, Baker cites a turnaround containing "How Dry I Am" as the "absolutely most commonly used blues turnaround". [5] Fischer describes the turnaround as the last two measures of the blues form, or I 7 and V 7, with variations including I 7 –IV 7 –I 7 –V 7. [6]
In late 2010, Johnny Iguana formed the Claudettes, a "piano boogie, punk blues, and cabaret" rock and roll outfit, who have had an ever changing line-up, although they have released four albums. [ 2 ] [ 4 ] [ 3 ] Their latest collection, High Times in the Dark , was recorded and issued in the midst of the COVID-19 pandemic in the United States .
"Charleston" rhythm, simple rhythm commonly used in comping. [1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines.
At its most basic, a single version of this blues scale is commonly used over all changes (or chords) in a twelve-bar blues progression. [7] Likewise, in contemporary jazz theory, its use is commonly based upon the key rather than the individual chord. [2] Greenblatt defines two blues scales, the major and the minor.
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