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Regarded as one of the most important ambient albums of all time. [5] FACT's The 100 Best Albums of the 1980s: #10 [5] New Age Magazine's 25 Most Influential Ambient CDs [228] Echoes Radio's #2 Album of All Time. [229] Pitchfork's 33rd best ambient album of all time [230] July 16, 1984 () Diamond Life: Sade: Smooth soul; sophisti-pop [231] [232 ...
Stylus's Top 200 Albums of All Time: #121 [196] Mixmag's "The 50 Most Influential Dance Music Albums of All Time" [245] Treble's "Top 150 Albums of the 90s": #136 [8] Musikexpress's Best Albums of the 90s: #49 [183] 7 November 1995 () Liquid Swords: GZA/Genius: East Coast hip hop; hardcore hip hop; Geffen: Highly regarded for its complex ...
Pages in category "Synth-pop albums by American artists" The following 73 pages are in this category, out of 73 total. This list may not reflect recent changes .
The association of synth-pop with an alternative sexuality was reinforced by the images projected by synth-pop stars, who were seen as gender bending, including Phil Oakey's asymmetric hair and use of eyeliner, Marc Almond's "pervy" leather jacket, skirt wearing by figures including Martin Gore of Depeche Mode and the early "dominatrix" image ...
In 1969, it entered the top 40 on the US Billboard 200 before it reached a peak of No. 10 that year, for a total of 59 weeks on the chart. [9] From January 1969 to January 1972, the album was No. 1 on the Billboard Classical Albums chart, [ 10 ] and it reached the seventh position of the Top 50 Albums chart of the Canadian magazine RPM . [ 11 ]
The Best of the Art of Noise is the name of a series of compilation albums with songs by British synth-pop band Art of Noise. The first version was released on the China Records label in November 1988. The Best of the Art of Noise was released with at least ten different track listing variations from 1988 to 1997. The first version was on LP ...
R Plus Seven is the sixth studio album by American electronic musician Oneohtrix Point Never, released on September 30, 2013, as his debut album on Warp Records. [3] The album's musical palette draws heavily on the synthetic sounds of MIDI instruments, 1980s synth presets, and VSTs.
"Blue Monday" has been labelled a "synth-pop classic" [21] [22] and described as cementing the group's movement from post-punk to alternative dance. [5]It has been noted as an example of the hi-NRG style of club music, [23] and the 2004 edition of The Rolling Stone Album Guide called it "the ultimate in flawlessly programmed, LSD-driven, push-button dance-pop".