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Gnosis is a feminine Greek noun which means "knowledge" or "awareness." [10] It is often used for personal knowledge compared with intellectual knowledge (εἴδειν eídein), as with the French connaître compared with savoir, the Portuguese conhecer compared with saber, the Spanish conocer compared with saber, the Italian conoscere compared with sapere, the German kennen rather than ...
Early Modern Japanese (近世日本語, kinsei nihongo) was the stage of the Japanese language after Middle Japanese and before Modern Japanese. [1] It is a period of transition that shed many of the characteristics that Middle Japanese had retained during the language's development from Old Japanese , thus becoming intelligible to modern Japanese.
Classical court literature, which had been the focal point of Japanese literature up until this point, gradually disappeared. [ 13 ] [ 11 ] New genres such as renga , or linked verse, and Noh theater developed among the common people, [ 14 ] and setsuwa such as the Nihon Ryoiki were created by Buddhist priests for preaching.
Seidan (written between 1716 and 1736) Tohi Mondo (1739) Shutsujo Kougo (1744) Shizen Shineido (partially published between 1751 and 1764) Kokuiko (1765) Naobinomitama (1771) Gengo (1775) Sobo Kigen (1788) Uiyamabumi (1799) Shutsujo Shogo (1811) Rangaku Kotohajime (1814) Kyukeidan (1815) Yume no Shiro (1820) Kodo Taii (1824) Tsugi (completed in ...
This category represents Japanese texts written in the Edo period (1603-1867). It marks the end of what is known as "classical literature". It marks the end of what is known as "classical literature".
19th-century Japanese writers (9 C, 3 P) Pages in category "Japanese writers of the Edo period" The following 104 pages are in this category, out of 104 total.
A replica of a Man'yōshū poem No. 8, by Nukata no Ōkimi. The Man'yōshū (万葉集, pronounced [maɰ̃joꜜːɕɯː]; literally "Collection of Ten Thousand Leaves") [a] [1] is the oldest extant collection of Japanese waka (poetry in Old Japanese or Classical Japanese), [b] compiled sometime after AD 759 during the Nara period.
This framework restricts the narrative to "the life experienced by the author", [9] and fiction will make the work no longer considered as real or sincere. "Reality" in the I-novel is defined by 3 aspects. The first is a one-to-one relationship between the author's experience and the story in the novel, though slight differences are acceptable.