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The term idol is an image or representation of a god used as an object of worship, [1] [2] [3] while idolatry is the worship of an "idol" as though it were God. [ 4 ] [ 5 ] [ 6 ] Ancient Near East and Egypt
Celtic stone idols are Northern European stone sculptures dated to the Iron Age, that are believed to represent Celtic gods. The majority contain one or more human heads, which may have one or more faces. It is thought that the heads were often placed on top of pillar stones and were a centrepiece at cultic worship sites.
Moses Indignant at the Golden Calf, painting by William Blake, 1799–1800. Idolatry is the worship of an idol as though it were a deity. [1] [2] [3] In Abrahamic religions (namely Judaism, Samaritanism, Christianity, the Baháʼí Faith, and Islam) idolatry connotes the worship of something or someone other than the Abrahamic God as if it were God.
Philoctetes (Ancient Greek: Φιλοκτήτης), was the son of King Poeas of Meliboea in Thessaly, a famous archer, fought at the Trojan War; Phylonoe (Φυλονόη), daughter of Tyndareus and Leda, made immortal by Artemis; Psyche (Ψυχή), goddess of the soul
In the early 20th century, the general belief among scholars was that the figurines represent an ancient ideal of beauty. Since their discovery, considerable diversity in opinion amongst archaeologists and in palaeoanthropological literature has arisen as to the function and significance of the figures. [ 11 ]
In some ancient Mediterranean cultures, even well past the hunter-gatherer stage, athletic and/or cultist nudity of men and boys – and rarely, of women and girls – was a natural concept. The Minoan civilization prized athleticism, with bull-leaping being a favourite event. Both men and women participated wearing only a loincloth.
The first known sculpture in the Indian subcontinent is from the Indus Valley Civilization (3300–1700 BCE). These include the famous small bronze Dancing Girl. However such figures in bronze and stone are rare and greatly outnumbered by pottery figurines and stone seals, often of animals or deities very finely depicted and crafted. [10]
In ancient Greece, the phallus, often in the form of a herma, was an object of worship as a symbol of fertility. This finds expression in Greek sculpture and other artworks. One ancient Greek male idea of female sexuality was that women envied penises of males. Wives were considered a commodity and instruments for bearing legitimate children.