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Original file (2,022 × 1,577 pixels, file size: 16.3 MB, MIME type: application/pdf, 133 pages) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Requiem: Score and critical report (in German) in the Neue Mozart-Ausgabe Eybler's and Süssmayr's amendments: Score in the Neue Mozart-Ausgabe; Free scores of Requiem, K. 626 in the Choral Public Domain Library (ChoralWiki) Requiem in D minor, K. 626: Scores at the International Music Score Library Project; Article on the Requiem at h2g2
Completions that did not try to emulate Mozart's style, but rather completed the requiem in the style of the editor. Knud Vad [] (2000) followed Süssmayr's completion until the "Sanctus" and "Benedictus", inserting 4 bars in piano for the "Sanctus", composing a double fugue for the Osanna with Süssmayr's theme, adding more modulations to the "Benedictus" and composing a transition back to D ...
Mozart's Masses with an Accompaniment for the Organ, arranged from the full score by Vincent Novello. London: Gallaway, 1819–1824; The Three Favorite Masses, Composed by Mozart, Haydn, and Beethoven, in Vocal Score, with an Accompaniment for the Organ or Pianoforte, by Vincent Novello. London: Novello, 1850. Ludwig Ritter von Köchel.
Maunder created a new version of Mozart's Requiem.Following on from other musicologists such as Ernst Hess, Franz Beyer and Robert D. Levin, he presented a fundamental revision of Mozart's last work, in which, like his predecessors, he wanted to remove Süssmayr's additions as far as possible and replace them with Mozart's own ideas.
The Requiem in D minor was Mozart's last composition, written between October and December of 1791. It was left unfinished at his death on 5 December 1791, and after his burial on 6 December, Constanze asked Franz Xaver Süssmayr to complete the remainder of the work (from bar 9 of the "Lacrimosa" to the final "Communio)".
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Landon in 1989. Howard Chandler Robbins Landon (March 6, 1926 – November 20, 2009) was an American musicologist, journalist, historian and broadcaster, best known for his work in rediscovering the huge body of neglected music by Haydn and in correcting misunderstandings about Mozart.
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