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It was reported in a study conducted at the Sussex Innovation Centre in Brighton that listening to the track reduced anxiety of the patients by up to 65%, [11] being 11% better at inducing relaxation than other relaxing music. [12]
Background music (British English: piped music) is a mode of musical performance in which the music is not intended to be a primary focus of potential listeners, but its content, character, and volume level are deliberately chosen to affect behavioral and emotional responses in humans such as concentration, relaxation, distraction, and excitement.
Such videos are usually titled, or are generally known as, "relaxing music", and may be influenced by other music genres. Ambient videos assist online listeners with yoga, study, sleep (see music and sleep), massage, meditation and gaining optimism, inspiration, and creating peaceful atmosphere in their rooms or other environments. [53]
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Research into the neurological technology behind I-Doser is sparse. Peer-reviewed studies exist suggesting that some specific binaural beat mixes can affect aspects of mental performance and mood, [4] [5] act as analgesic supplements [6] or affect perceptions, [7] but there have been no formal studies of any effects of mixes particular to I-Doser.
Brickman composes a variety of music, and is known for his success in radio's adult contemporary format. [ 22 ] [ 23 ] He has collaborated with artists from all genres with songs like "Love of My Life" with Michael W. Smith , "You" with Jane Krakowski , "Never Alone" with country group Lady A , "After All These Years" with Anne Cochran , and ...
Its first product is a vast repository of popular music compositions (roughly 1 billion), covering all essential styles. In addition to MP3, all songs are available in editable formats ; [9] and music is licensed under CC0, meaning that it is freely downloadable. [8] [10]
Fabbri, Franco (1982) A Theory of Popular Music Genres: Two Applications. In Popular Music Perspectives, edited by David Horn and Philip Tagg, 52–81. Göteborg and Exeter: A. Wheaton & Co., Ltd. Frith, Simon (1996) Performing Rites: On the Value of Popular Music. Cambridge, Massachusetts: Harvard University Press.