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The first consists of primary banjo players and the second of celebrities that also play the banjo This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Mark Johnson (born May 20, 1955) is an American banjoist credited with creating a style of five string banjo playing called Clawgrass, which incorporates bluegrass and clawhammer banjo styles as well as bluegrass guitar styles and bluegrass ensemble techniques. [1]
Carl Jackson:Banjo Player (1973,Capitol) Old Friends (1978,Capitol) Banjo Man:A Tribute To Earl Scruggs (1981,Sugarhill) Mississippi Homecoming (1981) Song of the South (1982,Sugarhill) Banjo Hits (1983,Sugarhill) with Jim & Jesse; Spring Training (1991,Sugarhill) with John Starling & The Nash Ramblers 'Neath The Oaks in the Grove (1993)
The title of this mountain banjo song is "I Wish I Was A Mole In The Ground." I've known it since 1901 when I heard Fred Moody, then a high school boy, sing it down in Burke County. Fred lives in Haywood County, North Carolina , and the footnote to the song is that the "bend" referred to is the bend of the Pigeon River in Haywood County, North ...
Troy Boswell (born May 23, 1966), known professionally as Leroy Troy, is an old-time banjo player from Goodlettsville, Tennessee. His banjo style is the clawhammer or frailing style, distinct from more commonly found Scruggs style banjo playing in modern bluegrass. He often performs humorous or comedy songs from the old-time music genre.
Danny Barnes (born December 21, 1961) [1] is an American banjo player, singer, and composer whose music is influenced by country, jazz, blues, punk, metal, and more. [2] He has been described as a "banjo virtuoso" [3] [4] and is "widely acknowledged as one of the best banjo players in America."
Royal Garden Blues" is a blues song composed by Clarence Williams and Spencer Williams in 1919. Popularized in jazz by the Original Dixieland Jazz Band, [1] it has since been recorded by numerous artists and has become a jazz standard. [2] The song is considered one of the first popular songs based on a riff. [2]
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