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The Komainu strongly resemble Chinese guardian lions and in fact originate from Tang dynasty China. [10] The Chinese guardian lions are believed to have been influenced by Asiatic lion pelts and lion depictions introduced through trade from either the Middle East or India , countries where the lion existed and was a symbol of strength. [ 11 ]
Chinese mythology; Chinese dragon; Chinthe similar lion statues in Burma, Laos and Cambodia; Culture of China; Door god; Foo dog, dog breeds originating in China that resemble "Chinese guardian lions" and hence are also called Lion Dogs. Komainu to compare its use in Japanese culture; Haetae to compare with similar lion-like statues in Korea
Shisa (Japanese: シーサー, Hepburn: shīsā, Okinawan: シーサー, romanized: shiisaa) is a traditional Ryukyuan cultural artifact and decoration derived from Chinese guardian lions, often seen in similar pairs, resembling a cross between a lion and a dog, from Okinawan mythology. Shisa are wards, believed to protect from some evils.
Yatagarasu (八咫烏) is a mythical crow [1] and guiding god in Shinto mythology. He is generally known for his three-legged figure, and his picture has been handed down since ancient times. [ 1 ] The word means "eight-span crow" [ 2 ] and the appearance of the great bird is construed as evidence of the will of Heaven or divine intervention in ...
The xiezhi (獬豸 [a]; xièzhì < Eastern Han Chinese *gɛʔ-ḍɛʔ [1]: 620 ) is a mythical creature of Chinese origin found throughout Sinospheric legends. It resembles an ox or goat, with thick dark fur covering its body, bright eyes, and a single long horn on its forehead.
Komainu A pair of lion-dogs that guard the entrances of temples and shrines. Komayō A mysterious enchantress (駒妖) from the Kansai region who appears during full moons to challenge people to games of ōgi, a variant of Shogi. Those who accept her challenge are said to have their souls transformed into yūrei (ghosts). Modern sightings have ...
The story then covers the supernatural journey of the Great Tengu and the young Yoshitsune through the "six planes of karmic transmigration" to visit Yoshitsune's father in the Pure Land. [46] Sōjōbō is not the protagonist of the story The Tale of the Handcart Priest but is mentioned when a group of tengu notice his absence from their ...
Konjaku Monogatarishū (今昔物語集, lit. Anthology of Tales Old and New), also known as the Konjaku Monogatari (今昔物語), is a Japanese collection of over one thousand tales written during the late Heian period (794–1185). [1]