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In response to World War I, the FCC established the General War-Time Commission to coordinate the work of Protestant, Catholic, and Jewish programs related to the war and work closely with the Department of War. It was chaired by Speer and liberal Union Theological Seminary professor William Adams Brown. Following the war, they worked hard to ...
Modernism, with its sense that 'things fall apart,' can be seen as the apotheosis of romanticism, if romanticism is the (often frustrated) quest for metaphysical truths about character, nature, a higher power and meaning in the world. [25] Modernism often yearns for a romantic or metaphysical centre, but later finds its collapse. [26]
A typical village war memorial to soldiers killed in World War I. National World War I Museum and Memorial in Kansas City, Missouri, is a memorial dedicated to all Americans who served in World War I. The Liberty Memorial was dedicated on 1 November 1921. [338]
The first tentative efforts to comprehend the meaning and consequences of modern warfare began during the initial phases of World War I; this process continued throughout and after the end of hostilities, and is still underway more than a century later. Teaching World War I has presented special challenges.
"Countries in World War I" - A segment that gives a summary of the situation of individual countries just before and during the war. Technology and Warfare in World War I - Experts inspect and discuss weapons and tools from the war. World War I Essential Knowledge - A segment which is designed to provide background information on the war, such ...
Towards the end of the war the journalist Paul Konody, now art adviser to the Canadian War Memorials Fund (and someone who had been blatantly anti-Vorticism), commissioned Lewis, Wadsworth, Nevinson, Roberts, Paul Nash and Bomberg to produce monumental canvases on subjects relating to the Canadian war experience for a projected memorial hall in ...
Writing the Great War: the historiography of World War I from 1918 to the present. New York: Berghahn Books. ISBN 978-1-78920-457-5. Full coverage for major countries. Gerwarth, R. (August 2008). "The Central European Counter-Revolution: Paramilitary Violence in Germany, Austria and Hungary after the Great War". Past & Present (200): 175– 209.
The Shock of the New is an eight-part documentary television series about the development of modern art written and presented in 1980 by Australian art critic Robert Hughes for the BBC, in association with Time-Life Films. Hughes also wrote a book to accompany the series. It was produced by Lorna Pegram, who also directed three of the episodes.