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The Gibson Grabber was a bass guitar introduced in 1973 along with the Gibson Ripper, both designed by Bill Lawrence. The Grabber featured a bolt-on 34 + 1 ⁄ 2 in (876 mm) neck similar to Fender basses and shared a similar body shape with the Ripper. A distinctive feature of the Grabber was its adjustable pickup, which could be positioned by ...
In 2011, Epiphone created a limited edition signature model Epiphone Allen Woody Thunderbird bass. Tom Hamilton of Aerosmith was known to use a white Gibson Thunderbird bass from 1973 to early 1977, rotating between the Thunderbird, a Fender Jazz Bass and a Fender Precision Bass , before switching to the recently introduced Music Man StingRay ...
The Epiphone Blackbird is the Epiphone Company's variant of the Gibson Thunderbird bass with a couple of differences. It still has the black hardware, a single on/off switch with no volume or tone knobs, a mahogany body with a flat-black finish, the normal Gibson Thunderbird bridge with an "opti grab" handle added, a 1.5" wide nut, and a similar (if not exactly the same) pickguard.
Epiphone currently produces an EB-0 which is similar to the late '60s version of the Gibson EB-0, but with a '70s-style three-point bridge and a bolt-on neck. [5] This version, along with the Epiphone EB-3, was discontinued in early 2020 as a part of a major reimagining of the Epiphone brand and lineup.
The Gibson L9-S Ripper is a model of electric bass guitar made by Gibson Guitar Corporation. The Ripper was designed by Bill Lawrence, and manufactured from 1973 until 1983, the peak year being 1976. Most had a maple body with laminated maple neck; however a significant number manufactured in 1975 had lighter alder bodies while retaining the ...
This is a List of Epiphone players (musicians) who have made notable use of Epiphone Guitar models in live performances or studio recordings.Because of the great popularity of these models, musicians are listed here only if their use of these instruments was especially significant – that is, they are musicians with long careers who have a history of faithful Epiphone use, or the particular ...
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The pickup was designed to correct what Casady perceived as a weakness of the original Les Paul Signature bass, which was a lack of tonal definition in ensemble playing situations. [2] The pickup is connected to a transformer with a three-position switch to select output impedance of 50, 250 or 500 ohms.
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