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Pages in category "Songs based on actual events" The following 200 pages are in this category, out of approximately 213 total. This list may not reflect recent changes .
Instead of capturing the sound of live groups, they were making three-minute musicals, matching singers to songs in the same way that movie producers matched stars to film roles. As Miller told "Time" magazine in 1951, "Every singer has certain sounds he makes better than others.
"As It Was" was the last song written for Styles' third album, Harry's House. [9] The song was recorded at Sony Music Entertainment CEO Rob Stringer's house in England. In an interview with Consequence of Sound, producer Kid Harpoon stated "We moved all the furniture out and put a drum kit in the TV room.
One of Shania Twain's early songs from her third studio album, this tune remains one of her biggest hits of all time. Beth Gwinn - Getty Images "This Is How We Do It" by Montell Jordan (1995)
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
The "Songs of the Century" list is part of an education project by the Recording Industry Association of America (RIAA), the National Endowment for the Arts, and Scholastic Inc. that aims to "promote a better understanding of America's musical and cultural heritage" in American schools.
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.