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Sneakin' Sally Through the Alley is the debut solo album by Robert Palmer, released in 1974.It followed three album releases co-fronting the band Vinegar Joe. [5] [6]Palmer is backed by The Meters and Lowell George of Little Feat.
His first solo album, Sneakin' Sally Through the Alley, recorded in 1974 in New Orleans was heavily influenced by the music of Little Feat and the funk fusion of the Meters, who acted as the backing band along with producer/guitarist Lowell George of Little Feat. [12] Unsuccessful in the UK, both the album and single reached the top 100 in the ...
Featured on the 2013 CD reissue by Edsel (which is bundled with Sneakin' Sally Through the Alley) are acoustic demos of "Willin'" (George) and "Hope We Never Wake". Palmer rerecorded "Work to Make It Work" for his final studio album featuring original compositions, 1999's Rhythm & Blues (released in 1998 in Japan).
The discography of Robert Palmer consists of 14 studio albums, three live albums and 12 compilation albums. For the discographies of Vinegar Joe and the Power Station (groups Palmer was a member of), see their respective pages.
After their US tour, Ahmet sub-licensed them to Chris Blackwell of Island Records for the UK and rest of the world, with instructions to reduce the line up to form Vinegar Joe in 1971, adding keyboard player Dave Thompson, but the band was still without a drummer. Phil Collins had unsuccessfully applied for the job. [4]
Addictions: Volume 2 is the second compilation album by English singer Robert Palmer, released in 1992.The album contained noted songs that Robert Palmer had from his Island Records albums Riptide, Sneakin' Sally Through the Alley, Pressure Drop, Double Fun, Secrets, Clues and Pride. [2]
Riptide is the eighth studio album by English singer Robert Palmer, released in November 4, 1985 by Island Records.The album was recorded over a period of three months in 1985 at Compass Point Studios in Nassau, Bahamas.
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