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The Photo-crayotype, Chromotypes and Crayon Collotypes were all used to colourize photographs by the application of crayons and pigments over a photographic impression. [19] Charcoal and coloured pencils are also used in hand-colouring of photographs and the terms crayon, pastel, charcoal, and pencil were often used interchangeably by colourists.
Richter created various painting pictures from black-and-white photographs during the 1960s and early 1970s, basing them on a variety of sources: newspapers and books, sometimes incorporating their captions, (as in Helga Matura (1966)); private snapshots; aerial views of towns and mountains, (Cityscape Madrid (1968) and Alps (1968)); seascapes ...
Using watercolor, gouache and oil paints, Sawyer began transforming his black and white photographs into images of glowing landscapes, in many ways reminiscent of the Hudson River School of oil painters. Commercial color film was still 30 years away, and 30 years of the golden age of hand-painted photography lay ahead.
Nautilus is a black-and-white photograph taken by Edward Weston in 1927 of a single nautilus shell standing on its end against a dark background. It has been called "one of the most famous photographs ever made" and "a benchmark of modernism in the history of photography."
Since the Renaissance era, artists and inventors had searched for a mechanical method of capturing visual scenes. [6] Using the camera obscura, artists would manually trace what they saw, or use the optical image as a basis for solving the problems of perspective and parallax, and deciding color values.
Digital photo of Kearny Generating Station, converted to black and white in Lightroom, with color channels adjusted to mimic the effect of a red filter. 1968 group portrait of a Swedish musical's cast. Black-and-white photography is considered by some to be more subtle and interpretive, and less realistic than color photography.
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