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Iranian pop music is commonly performed by vocalists who are accompanied with elaborate ensembles, often using a combination of both indigenous Iranian and European instruments. [1] The pop music of Iran is largely promoted through mass media, but it experienced some decade of prohibition after the 1979 Revolution.
Iran's classical art music continues to function as a spiritual tool, as it has throughout history, and much less of a recreational activity. It belongs, for the most part, to the social elite , as opposed to the folkloric and popular music , in which the society as a whole participates.
Many of Iran's folk songs have the potential of being adapted into major or minor tonalities, [7] and Iranian singers of both classical and folk music may improvise the lyric and the melody within the appropriate musical mode. [8] Experiments and influences from Iran's folk music have been incorporated into the musical appearance of tasnif ...
During the Achaemenid Empire (550–330 BCE), the influence of Persian culture reached across the state. [8] Like earlier periods, relatively few records of music survive. [9] [10] The ethnomusicologist Hormoz Farhat describes the dire situation: "the Achaemenian dynasty, with all its grandeur and glory, has left us nothing to reveal the nature of its musical culture". [10]
Pages in category "Music of Iran" The following 21 pages are in this category, out of 21 total. ... History of Iran Narrated by Setar; I. Iranian folk music;
Iran's western-influenced pop music emerged by the 1950s. [4] Prior to the 1950s, Iran's music industry was dominated by traditional singers. [4] Viguen, known as the "Sultan" of Iranian pop and jazz music, was a pioneer of this revolution. [4] [3] [5] [2] He was one of Iran's first musicians to perform with a guitar. [4]
The instrument was mainly played in outdoors in regional music of Iran in the festive ceremonies (the Persian poet Molana Rumi mentioned the sorna and dohol in his poems). The Achaemenid sorna was a large trumpet-like instrument, but in later dates was reduced in size, and became more like ( shrill oboe ), or dozale (double oboe), which is ...
Dastgāh (/ d æ s t ˈ ɡ ɑː /; Persian: دستگاه, Classical: [dastˈɡɑːh], Iran: [dæstˈɡɒː(h)]) is the standard musical system in Persian art music, standardised in the 19th century following the transition of Persian music from the Maqam modal system. A dastgāh consists of a collection of musical melodies, gushehs.