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Self-Portrait in a Convex Mirror is a 1975 poetry collection by the American writer John Ashbery.The title, shared with its final poem, comes from the painting of the same name by the Late Renaissance artist Parmigianino.
Self-portrait; Self-Portrait in a Convex Mirror by John Ashbery: the portrait is the subject of a long poem in a poetry collection by Ashbery, both the poem and the collection of the same name. The book won all three of the major prizes awarded to collections by American poets.
Three Poems (1972) The Vermont Notebook (1975), illustrated prose poems; Self-portrait in a Convex Mirror (1975), awarded the Pulitzer Prize, the National Book Award [31] and the National Book Critics Circle Award; Houseboat Days (1977) As We Know (1979) Shadow Train (1981) A Wave (1984), awarded the Lenore Marshall Poetry Prize and the ...
Contains all poems from Some Trees, The Tennis Court Oath, Rivers and Mountains, The Double Dream of Spring, Three Poems, The Vermont Notebook, Self-Portrait in a Convex Mirror, Houseboat Days, As We Know, Shadow Train, A Wave, and April Galleons, as well as previously uncollected poems. 2014 Collected French Translations: Poetry
Self-portrait in a Convex Mirror later awarded the Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award; Vermont Notebook; Ted Berrigan, A Feeling For Leaving; Gwendolyn Brooks, Beckonings; Lin Carter, Dreams from R'lyeh; Robert Creeley, Backwards and The Door: Selected Poems
A poetry collection is often a compilation of several poems by one poet to be published in a single volume or chapbook. A collection can include any number of poems, ranging from a few (e.g. the four long poems in T. S. Eliot 's Four Quartets ) to several hundred poems (as is often seen in collections of haiku ).
Thus, "an ekphrastic poem is a vivid description of a scene or, more commonly, a work of art." [2] ... Self-Portrait in a Convex Mirror, Ashbery;
The title poem is an extraordinary and quite inevitable extension of the New York tradition of major visionary poems, which goes from Poe’s ‘City in the Sea’ and Whitman's ‘Crossing Brooklyn Ferry’ to Hart Crane's The Bridge and Ashbery's ‘Self Portrait in a Convex Mirror.’ Corn achieves an authority and resonance wholly worthy of ...