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1910s 35mm hand-cranked tinplate toy movie projector manufactured by Leonhard Müller in Nuremberg, Germany. Max and Emil Skladanowsky projected motion pictures with their Bioscop, a flicker-free duplex construction, from 1 to 31 November 1895. They started to tour with their motion pictures, but after catching the second presentation of the ...
It had a capacity for 616 seats. Films were projected via 35mm, Simplex E7 projector, with Magnarc Carbon Arc lamp houses. The building was designed to be fireproof and was outfitted with a Carrier air conditioning system which kept the theater, the bowling alleys, and "The Arlington Pharmacy" on the corner "cool and refreshing". [10]
[6] [7] In 1953, the original 35mm Simplex standards were replaced by newer projectors of the same model. [8] The Byrd was originally segregated. The balcony was intended to accommodate African-Americans, but instead the theater did not open its doors to blacks until the 1960s.
The 360° wrap-around theatre used nine 35mm Simplex X-L projectors, one for each of the film cameras, with each one projecting a 40° wide image onto a completely circular screen in order to produce a 360° view. The screens were 23 feet (7.0 m) in height, with a 273 feet (83 m) circumference, positioned 7 feet (2.1 m) above floor level.
Motiograph projector, c. 1911. Motiograph (originally The Enterprise Optical Manufacturing Company) was a film equipment company established by Alvah C Roebuck in Chicago in 1896. The company manufactured theater projectors and speakers. [1] [2] [3] Their Optiograph 35 mm film projector was first introduced in 1898 and sold via catalogs ...
The first big-selling 35 mm still camera was the American Tourist Multiple, [7] which also appeared in 1913, at a cost of $175 (~5,600 US Dollars in 2024) The first camera to take full-frame 24×36 mm exposures seems to be the Simplex, introduced in the U.S. in 1914. It took either 800 half-frame or 400 full-frame shots on 50 ft (15.2 m) rolls.
In 1955, under the Carl Braun Camera-Werk Nürnberg label, the company introduced one of the first semi-automatic slide projectors with a tray magazine to the consumer market named Paximat. [2] Other innovations included wired or wireless remote control , automatic focus , brighter halogen lamps , and variable brightness control.
The projector used a beater movement. It has two names because it was created by Charles Urban and Walter Isaacs. It was a 35mm fast-pull-down-beater-movement machine allegedly based on Georges Demenÿ patents. In 1897, Urban joined Warwick Trading in the UK. At that time he brought with him the Bioscope from America for resale.
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