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Howlin' Wolf recorded "Killing Floor" in Chicago in August 1964, which Chess Records released as a single. [2] According to blues guitarist and longtime Wolf associate Hubert Sumlin, the song uses the killing floor – the area of a slaughterhouse where animals are killed – as a metaphor or allegory for male-female relationships: "Down on the killing floor – that means a woman has you down ...
Chester Arthur Burnett (June 10, 1910 – January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer, guitarist and harmonica player. He was at the forefront of transforming acoustic Delta blues into electric Chicago blues, and over a four-decade career, recorded blues, rhythm and blues, rock and roll, and psychedelic rock.
It should only contain pages that are Howlin' Wolf songs or lists of Howlin' Wolf songs, as well as subcategories containing those things (themselves set categories). Topics about Howlin' Wolf songs in general should be placed in relevant topic categories .
[5] The track contains elements of "Tell Me" performed by Howlin' Wolf, a sample from "Standing at the Burying Ground" by Mississippi Fred McDowell and a sample from "Mannish Boy" by Muddy Waters. Howlin' Wolf himself recorded a song titled "Woke Up This Morning" for Chess Records that was released in 2009.
The first two songs on the collection – "Moanin' at Midnight" and "How Many More Years" – were recorded at Memphis Recording Service on either May 14, or August 1951 and were produced by Sam Phillips, who would later produce Elvis Presley and Johnny Cash. The rest of the songs on the album were recorded in Chicago from May 1954 to August ...
The Howlin' Wolf entry is possibly the best of the batch, and one of the best introductions to this mercurial electric bluesman. Opening with the savage 'Killing Floor,' the album doesn't let up in intensity, and it happily focuses on Wolf's less-anthologized sides, which gives the album a freshness a lot of blues compilations lack".
Because Saturday Night Live‘s cold open this week might be the last time Yang gets to play the cartoonishly dishonest congressperson. The sketch opens with Wolf Blitzer as played by Sarah S.
Hooker also used the song as basis for several of his own songs, such as "Sally Mae". [2] In 1964, Howlin' Wolf recorded the song as "My Country Sugar Mama". [12] It was performed as a Chicago blues shuffle with lyrics from the Yank Rachell, Tampa Red, and Sonny Boy Williamson songs. The song was credited to Wolf as are many subsequent versions.