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Howlin' Wolf recorded "Killing Floor" in Chicago in August 1964, which Chess Records released as a single. [2] According to blues guitarist and longtime Wolf associate Hubert Sumlin, the song uses the killing floor – the area of a slaughterhouse where animals are killed – as a metaphor or allegory for male-female relationships: "Down on the killing floor – that means a woman has you down ...
[5] The track contains elements of "Tell Me" performed by Howlin' Wolf, a sample from "Standing at the Burying Ground" by Mississippi Fred McDowell and a sample from "Mannish Boy" by Muddy Waters. Howlin' Wolf himself recorded a song titled "Woke Up This Morning" for Chess Records that was released in 2009.
Chester Arthur Burnett (June 10, 1910 – January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer, guitarist and harmonica player. He was at the forefront of transforming acoustic Delta blues into electric Chicago blues, and over a four-decade career, recorded blues, rhythm and blues, rock and roll, and psychedelic rock.
His Best is a greatest hits album by American blues musician Howlin' Wolf.The album was originally released on April 8, 1997, by MCA/Chess Records, [1] and was one of a series of releases by MCA for the 50th anniversary of Chess Records that year (see 1997 in music).
The Howlin' Wolf entry is possibly the best of the batch, and one of the best introductions to this mercurial electric bluesman. Opening with the savage 'Killing Floor,' the album doesn't let up in intensity, and it happily focuses on Wolf's less-anthologized sides, which gives the album a freshness a lot of blues compilations lack".
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The Real Folk Blues is a series of blues albums released between 1965 and 1967 by Chess Records, later reissued MCA Records.Each album in the series highlighted the music of one major Chess artist, including John Lee Hooker, Howlin' Wolf, Muddy Waters, and Sonny Boy Williamson II.
"Long Distance Call" was recorded on 23 January 1951, with Little Walter on harmonica and Ernest "Big" Crawford on bass, in a session that also produced "Too Young To Know", "Honey Bee", and "Howlin' Wolf". [3] [4] [5] The lyrics feature a male first-person speaker addressing his female lover, asking her to say something kind to him.