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Pinaree Sanpitak was born in 1961, in Bangkok Thailand. [3] She was born and raised in Bangkok, Thailand and currently lives and works in Bangkok today. [3] She studied visual arts and communication design in the School of Fine Arts and Design at the University of Tsukuba, in Ibaraki, Japan earning a Bachelor of Fine Arts Degree in 1986. [3]
Contemporary Thai art emerged in the 1990s, blending old and new Thai cultural features with a diverse color palette and patterns to create modern and appealing art. [39] However, its roots can be traced back to Khrua In Khong , the first Thai artist to adopt the Western realist style in his paintings, which added more depth and realism to his ...
Fua was born on 22 April 1910 in Thonburi, the son of a court painter who had served under Phya Anusat Chitrakorn. [1]He began study at Bangkok's Poh Chang School of Arts and Crafts in 1932, continued to the School of Fine Arts (now Silpakorn University) in 1936, and received a scholarship from Thanomsakdi Kridakorn to study at Visva-Bharati University in West Bengal, India. [2]
Kranok pattern (Thai: ลายกระหนก, RTGS: Lai Kranok) is a Thai motif pattern. It appears in many Thai artworks such as Tripiṭaka cabinets, the doors of Thai temples, and coffins. According to the Royal Institute Dictionary in 1982, Kranok refers to a pattern of lines. However, when it is written as Kanok, it means gold.
Phaptawan Suwannakudt (Thai: ภาพตะวัน สุวรรณกูฏ, born 1959) is a Thai artist based in Sydney and Bangkok. [1]Suwannakudt primarily works with traditional Thai mural painting, and has been involved in numerous public projects and a series of individual artworks. [1]
The Krasue (Thai: กระสือ, pronounced [krā.sɯ̌ː]) is a nocturnal female spirit of Southeast Asian folklore.It manifests as the floating, disembodied head of a woman, usually young and beautiful, with her internal organs still attached and trailing down from the neck.
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Lai rot nam (Thai: ลายรดน้ำ) or gilded black lacquer is a technique in the traditional Thai decorative arts consisting of the application of black lacquer with gold inlay to surfaces. It was used in the decoration of wooden furniture, especially cabinets, as well as door and window panels, in palaces and Buddhist temples.