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t. e. Tiziano Vecellio (Italian: [titˈtsjaːno veˈtʃɛlljo]; c. 1488/90[1] – 27 August 1576), [2] Latinized as Titianus, hence known in English as Titian (/ ˈtɪʃən / ⓘ TISH-ən), was an Italian Renaissance painter, [a] the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. [4]
The Assumption of the Virgin or Frari Assumption, popularly known as the Assunta, [1] is a large altarpiece panel painting in oils by the Italian Renaissance artist Titian, painted in 1515–1518. It remains in the position it was designed for, on the high altar of the Basilica di Santa Maria Gloriosa dei Frari or Frari church in Venice.
Dimensions. 68.2 cm × 88.3 cm (26.9 in × 34.8 in) Location. Scuola Grande di San Rocco, Venice. Christ Carrying the Cross (also Ecce Homo) is an oil painting attributed to either Titian or Giorgione. It is dated to about 1505. The painting is housed in the Scuola Grande di San Rocco in Venice, Italy. [1] There are several later versions of ...
The Tribute Money (Italian: Cristo della moneta, lit. 'Christ of the coin') is a panel painting in oils of 1516 by the Italian late Renaissance artist Titian, now in the Gemäldegalerie Alte Meister in Dresden, Germany. It depicts Christ and a Pharisee at the moment in the Gospels [2] when Christ is shown a coin and says "Render unto Caesar the ...
The Crucifixion is a life sized painting by the Venetian artist Titian, completed in 1558 and presently hanging in the sanctuary of the church of San Domenico, Ancona. Jesus Christ is shown crucified, with Saint Mary and Saint John standing either side of the cross in the Stabat Mater tradition. The kneeling figure is of Saint Dominic.
Annunciation. The Annunciation is a painting by the Italian Renaissance master Titian, executed between 1559 and 1564. It remains in the church of San Salvador in Venice, for which it was commissioned. Originally three paintings were commissioned by the D'Anna family for their chapels in the church of San Salvador in Venice, northern Italy. [1]
Description and style. The dead Christ is carried to his tomb by three men. Nicodemus holds his shoulders, Joseph of Arimathea his legs, and John the Apostle his arms. Behind them at left, the Virgin Mary is also present, grieving and supported by Mary Magdalene. The work has a triangular composition that emphasizes the weight of the dead body.
Christ and the Adulteress. Christ and the Adulteress (German: Christus und die Ehebrecherin), also titled Christ and the Woman Taken in Adultery, or The Adulteress before Christ, is an oil painting by Titian, made about 1520, in the Kunsthistorisches Museum, Vienna, depicting Jesus and the woman taken in adultery. [1][2]
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