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Cruz Diablo was filmed in the studios of the Compañía Nacional Productora, then located on Paseo de la Reforma, [2] during six weeks starting on September 13, 1934, at a cost of 200,000 pesos. The production was in charge of Paul H. Bush and the Mex-Art company.
Juarez or Juarez and Maximilian (Spanish: Juárez y Maximiliano) is a 1934 Mexican historical drama film directed by Miguel Contreras Torres and Raphael J. Sevilla.The film is set during the French intervention in Mexico during the 1860s, and features the battle between Maximilian I of Mexico and Benito Juárez.
Josefina Yolanda "Pina" Pellicer López de Llergo (3 April 1934 – 4 December 1964) was a Mexican actress known in her country for portraying the female lead in Macario (1960), and in the United States as Louisa alongside Marlon Brando in the Brando-directed movie One-Eyed Jacks (1961).
Godfather Mendoza (Spanish: El compadre Mendoza) is a 1934 Mexican film.It was directed by Fernando de Fuentes, and is the second of his Revolution Trilogy, preceded by El prisionero trece (1933) and followed by Vámonos con Pancho Villa (1936).
Myrna Loy (born Myrna Adele Williams; August 2, 1905 – December 14, 1993) was an American film, television and stage actress.As a performer, she was known for her ability to adapt to her screen partner's acting style.
On 7 November 2016, actors Anil Kumar and Raghava Uday drowned in Thippagondanahalli Reservoir near Bangalore, when they took a 60-foot (18 m) plunge from a chopper while shooting the film's climax scene. A rescue motorboat scheduled to pull the actors out of the water did not start, resulting in both actors' deaths. [387] Shooter (2016).
June 14, 1934: The Life of Vergie Winters: Premiered in New York City, general release date was June 22, 1934 [233] June 15, 1934: Murder on the Blackboard [234] June 22, 1934: Let's Try Again [235] June 28, 1934: Of Human Bondage [N 2] [236] June 29, 1934: Cockeyed Cavaliers [237] July 13, 1934: We're Rich Again [238] July 17, 1934: His ...
By 1956, TV antennas were common in Mexican homes, and new media grew rapidly in the country outside the capital city. Despite the first black and white television pictures not having the clarity and sharpness of movie films, filmmakers immediately felt sharp competition from this new media, not only in Mexico but throughout the world.