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[2]: 16–18 After Flores's essay, there was a resurgence of interest in marvelous realism, which, after the Cuban revolution of 1959, led to the term magical realism being applied to a new type of literature known for matter-of-fact portrayal of magical events. [2]: 18 Literary magic realism originated in Latin America.
[17] [18] It the most important and world-renowned novel by García Márquez, [6] [19] and one of the most representative of the magical realism style. [3] In 1966, some fragments of the novel were published in magazines Eco, Amaru, and Nuevo Mundo. [9] It signals the end of the Macondo period. [20] El otoño del patriarca (The Autumn of the ...
The magical realist style and thematic substance of the book established it as an important representative novel of the literary Latin American Boom of the 1960s and 1970s, [7] which was stylistically influenced by Modernism (European and North American) and the Cuban Vanguardia (Avant-Garde) literary movement.
The style of these works fits in the "marvellous realm" described by the Cuban writer Alejo Carpentier and was labeled as magical realism. [124] Literary critic Michael Bell proposes an alternative understanding for García Márquez's style, as the category magic realism is criticized for being dichotomizing and exoticizing, "what is really at ...
Leal further points out that in magic realism, "key events have no logical or psychological explanation. The magical realist does not try to copy the surrounding reality or to wound it but to seize the mystery that breathes behind things." [41] He also clarifies that "magical realism is not magic literature either. Its aim, unlike that of magic ...
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The novel was largely well-received with much attention paid to Carpentier's inclusion of magic realism and The Kingdom of This World has been described as an important work in the development of this genre in Caribbean and Latin American literature. However, some technical aspects of his style have been ignored by the academic community, and ...