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"Salve, Oh Patria!" (English: "Hail, Oh Fatherland!") is the national anthem of Ecuador.The lyrics were written in 1865 by poet Juan León Mera, under request of the Ecuadorian Senate; the music was composed by Antonio Neumane.
The mountainous, Andean region of Ecuador, the Sierra, is home to a style of music called Sanjuanito. The music of the Otavalo people is well-known worldwide. A small panpipe called the rondador is the most distinctive instrument, but ensembles are typically groups of wind instruments , guitar trios (often including a bandolin ), or brass bands .
This article is a list of Ecuadorian artists.. Alba Calderón (1908–1982, Guayaquil) [1]; Aníbal Villacís (born 1927, Ambato); Araceli Gilbert (1913–1993) [1]; Caesar Andrade Faini (born 1913, Quito)
Bomba or Bomba del Chota is an Afro-Ecuadorian music and dance form from the Chota Valley area of Ecuador in the province of Imbabura and Carchi.Its origins can be traced back to Africa via the middle passage and the use of African slave labor during the country's colonial period.
The paper was founded on January 1, 1906, in Quito, Ecuador by Celiano Monge and brothers César Mantilla Jácome and Carlos Mantilla Jácome.The newspaper remained in the Mantilla family until January 12, 2015, when the newspaper was sold to Telglovisión S.A., company property of the entrepreneur Remigio Ángel González.
con ardor indecible tu fuego inextinguible ¡oh santa Libertad! Como vestales vírgenes que sirven a tu altar, como vestales vírgenes que sirven a tu altar III Haz que en el suelo que amas florezcan en todas partes el culto de las artes y el honor nacional. Y da con mano pródiga los bienes de la paz, y da con mano pródiga los bienes de la paz.
"Ecuador" is a song produced by German DJ and record production team Sash! featuring fellow German DJ Rodriguez. It was released in April 1997 by labels X-It, Mighty and Multiply Records as the third single from their debut album, It's My Life – The Album (1997).
Phonetically the clearest distinction from any Mexican or other articulated Spanish (no ~s reduction) is the distinguishing of Y vs. LL. As in the local Quichua (except in Loja), Y is always a semivowel close to i, but LL is a voiced, interdentalic fricative: /ž/ or /ǯ/, similar to Platense Spanish.