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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The displacement of an undamped spring-mass system oscillating around the equilibrium over time is a sine wave. Sinusoids that exist in both position and time also have: a spatial variable x {\displaystyle x} that represents the position on the dimension on which the wave propagates.
Musical form is the plan by which a short piece of music is extended. The term "plan" is also used in architecture, to which musical form is often compared. Like the architect, the composer must take into account the function for which the work is intended and the means available, practicing economy and making use of repetition and order. [10]
A pure tone's pressure waveform versus time looks like this; its frequency determines the x axis scale; its amplitude determines the y axis scale; and its phase determines the x origin. In psychoacoustics, a pure tone is a sound with a sinusoidal waveform; that is, a sine wave of constant frequency, phase-shift, and amplitude. [1]
A sine, square, and sawtooth wave at 440 Hz A composite waveform that is shaped like a teardrop. A waveform generated by a synthesizer. In electronics, acoustics, and related fields, the waveform of a signal is the shape of its graph as a function of time, independent of its time and magnitude scales and of any displacement in time.
In mathematics, sine and cosine are trigonometric functions of an angle.The sine and cosine of an acute angle are defined in the context of a right triangle: for the specified angle, its sine is the ratio of the length of the side that is opposite that angle to the length of the longest side of the triangle (the hypotenuse), and the cosine is the ratio of the length of the adjacent leg to that ...
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Ptolemy used chord length to define his trigonometric functions, a minor difference from the sine convention we use today. [12] (The value we call sin(θ) can be found by looking up the chord length for twice the angle of interest (2θ) in Ptolemy's table, and then dividing that value by two.)