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"Time and Death", 1898 illustration by E. J. Sullivan for Sartor Resartus. In the 19th-century novel Sartor Resartus by Thomas Carlyle, Diogenes Teufelsdröckh uses the phoenix as a metaphor for the cyclical pattern of history, remarking upon the "burning of a World-Phoenix" and the "Palingenesia, or Newbirth of Society" from its ashes:
For the traditional definition of resurrection, a restoration of the deceased's personality, or their brain, would be necessary. Fedorov speculates about the idea of "radial images" that may contain the personalities of the people and survive after death.
The term "dying god" is associated with the works of James Frazer, [4] Jane Ellen Harrison, and their fellow Cambridge Ritualists. [16] At the end of the 19th century, in their The Golden Bough [4] and Prolegomena to the Study of Greek Religion, Frazer and Harrison argued that all myths are echoes of rituals, and that all rituals have as their primordial purpose the manipulation of natural ...
Roman Krznaric suggests memento mori is an important topic to bring back into our thoughts and belief system; "Philosophers have come up with lots of what I call 'death tasters' – thought experiments for seizing the day." These thought experiments are powerful to get us re-oriented back to death into current awareness and living with spontaneity.
During your most difficult moments, recall Angelou's triumphant declaration in “Still I Rise.” “You may shoot me with your words, you may cut me with your eyes, you may kill me with your ...
Accordingly, the meaning might be: 'when we have unwound and worked off this coil of mortality.' In this way, the length of our life is metaphorically the length of thread that is coiled on a spool, a metaphor related to the ancient Greek mythological figures of the Fates. As humans live, the thread is unwound from the coil by the shuttle of ...
for out of it you were taken; you are dust, and to dust you shall return." Genesis 3:19 "Abraham answered, 'Let me take it upon myself to speak to my lord, I who am but dust and ashes.'" Genesis 18:27
Napoleon's tomb at Les Invalides. The retour des cendres (literally "return of the ashes", though "ashes" is used here as a metaphor for his mortal remains, as he was not cremated) was the return of the mortal remains of Napoleon I of France from the island of Saint Helena to France and the burial in Hôtel des Invalides in Paris in 1840, on the initiative of Prime Minister Adolphe Thiers and ...