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Sound masking is the inclusion of generated sound (commonly, though inaccurately, referred to as "white noise" or "pink noise") into an environment to mask unwanted sound. It relies on auditory masking. Sound masking is not a form of active noise control (noise cancellation technique); however, it can reduce or eliminate the perception of sound ...
The mid-frequency component of white noise, used in halftone dithering [19] Bounded Brownian noise; Vocal spectrum noise used for testing audio circuits [20] Joseph S. Wisniewski writes that "green noise" is marketed by producers of ambient sound effects recordings as "the background noise of the world".
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Simultaneous masking occurs when a sound is made inaudible by a noise or unwanted sound of the same duration as the original sound. [2] For example, a powerful spike at 1 kHz will tend to mask out a lower-level tone at 1.1 kHz. Also, two sine tones at 440 and 450 Hz can be perceived clearly when separated.
Pink noise may be a good choice if white noise is too high-pitched or irritating, the experts note, and brown noise may be more suitable for those who want a deeper sound.
White noise is a common synthetic noise source used for sound masking by a tinnitus masker. [10] White noise machines and other white noise sources are sold as privacy enhancers and sleep aids (see music and sleep ) and to mask tinnitus . [ 11 ]
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White noise masking has been well documented to reduce stuttering. [2] [10] [11] Clinic-based and portable devices, such as the Edinburgh Masker (since discontinued) have been developed to deliver masking, and found that masking was effective in reducing stuttering, [12] [13] though many found that reduction in stuttering faded with time. [14]