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An example of shibori tied in small dots to form a tortoiseshell (kikko) design. There are many ways to create shibori, with techniques generally grouped into three categories: kōkechi, tied or bound resists; rōkechi, wax resists; and kyōkechi, resists where the fabric is folded and clamped between two carved wooden blocks.
Fabric prepared for shibori is mostly dyed by hand, with the undyed pattern revealed when the bindings are removed from the fabric. Shibori techniques cover a range of formalities, with all-shibori yukata (informal), all-shibori furisode (formal) and all-shibori obiage all being particularly common.
Some are more recognizable—like chintz, tartan, toile de jouy, ikat, or shibori—but countless examples exist. Today, many luxury fabric houses continue to honor these traditional designs ...
Another shibori method is to wrap the fabric around a core of rope, wood, or other material, and bind it tightly with string or thread. The areas of the fabric that are against the core or under the binding would remain undyed. In Indonesia, especially in Java, tie-dye is known as jumputan. [8]
It can be tied in a variety of different ways, and is commonly dyed using the shibori – typically the kanoko shibori – dye technique. Obidome (帯留, "sash clip") [25] is a small, decorative brooch fastened onto the obijime at the front, commonly made from precious metals and gemstones.
Obviously it is the most difficult to make and the most expensive. Double ikat is only produced in three countries: India, Japan and Indonesia. The double ikat made in Patan, Gujarat in India is the most complicated. Called "patola", it is made using fine silk yarns and many colours. It may be patterned with a small motif that is repeated many ...
Unlike yūzen, stencils are used repeatedly to make a repeating pattern. Pigment is added by hand-painting, immersion dyeing, or both. Pigment is added by hand-painting, immersion dyeing, or both. The area of the fabric covered and permeated by the paste mixture resists the later application of dye, thus creating undyed areas within the fabric.
Alabere: Stitching raffia onto the fabric in a pattern prior to dyeing. The raffia palm is stripped, and the spine sewn into the fabric. After dyeing the raffia is usually ripped out, although some choose to leave it in and let wear and tear on the garment slowly reveal the design. Eleko: Resist
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