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Waterhouse was born in the city of Rome to the English painters William and Isabella Waterhouse in 1849, in the same year that the members of the Pre-Raphaelite Brotherhood, including Dante Gabriel Rossetti, John Everett Millais and William Holman Hunt, were first causing a stir in the London art scene. [3]
The stormy chiaroscuro paintings of Caravaggio and the robust, illusionistic paintings of the Bolognese Carracci family gave rise to the baroque period in Italian art. Domenichino , Francesco Albani , and later Andrea Sacchi were among those who carried out the classical implications in the art of the Carracci.
Fede Galizia (1578–1630), pioneering still life Renaissance painter; Federica Galli (1932–2009), printmaker; Giola Gandini (1906–1941), painter; Giovanna Garzoni (1600–1670), Baroque painter; Francesca Genna (born 1967), printmaker; Artemisia Gentileschi (1593–c.1656), Baroque painter; Costanza Ghilini (1754–1775), amateur painter ...
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
African art, Jewish art, Islamic art, Indonesian art, Indian art, [3] Chinese art, and Japanese art [4] each had significant influence on Western art, and vice versa. [ 5 ] Initially serving utilitarian purpose, followed by imperial, private, civic, and religious patronage, Eastern and Western painting later found audiences in the aristocracy ...
Canaletto was inspired by the Roman vedutista Giovanni Paolo Pannini, and started painting the daily life of the city and its people. After returning from Rome in 1719, he began painting in his topographical style. [8] His first known signed and dated work is Architectural Capriccio (1723, Milan, in a private collection). [1]
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These paintings connect to Woman with a Pearl Necklace in a Loge because of the subject matter and the continuing themes of Impressionism, femininity, and relevance to the modern woman enjoying a night on the town. "Cassatt found a device for conjoining her fascination with the figure, notably of young women in smart day or evening clothes ...