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The square-mouthed vases culture (Italian: cultura dei vasi a bocca quadrata) is a culture of the Middle Neolithic period, widespread in northern Italy during the fifth millennium BC. The name comes from the characteristic type of vessel, which has a square mouthpiece instead of circular.
The glass used was crystal and seven colors of glass: amber, blue, green, pink, amethyst, brown, and ruby. Among Jamestown stemware, ruby is valued higher than other colors by collectors. [80] Among the milk glass patterns, Vintage was used for tableware and a few types of stemware from 1958 to 1965. [81]
Example in the Walters Art Gallery in Baltimore, 1764 – front Pot-pourri en vaisseau en troisième grandeur – Vessel potpourri vase, third size – 1760, Louvre. Pot pourri à vaisseau or pot pourri en navire ("pot-pourri holder as a vessel/ship") is the shape used for a number of pot-pourri vases in the form of masted ships, first produced between the late 1750s to the early 1760s by the ...
Cut glass wine glass made of lead glass. Lead glass, commonly called crystal, is a variety of glass in which lead replaces the calcium content of a typical potash glass. [1] Lead glass contains typically 18–40% (by mass) lead(II) oxide (PbO), while modern lead crystal, historically also known as flint glass due to the original silica source, contains a minimum of 24% PbO. [2]
Vases generally share a similar shape. The foot or the base may be bulbous, flat, carinate, [1] or another shape. The body forms the main portion of the piece. Some vases have a shoulder, where the body curves inward, a neck, which gives height, and a lip, where the vase flares back out at the top. Some vases are also given handles.
White Lilacs in a Glass Vase (German: Der Fliederstrauß; French: Lilas blanc dans un vase de verre) is an 1882 oil-on-canvas painting by Édouard Manet, now in the Alte Nationalgalerie, in Berlin. Showing cuttings of white lilacs in a glass vase, it is one of a series of flower still lifes by the painter.
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