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In the first half of the 16th century, German dress varied widely from the costume worn in other parts of Europe. Skirts were cut separately from bodices, though often were sewn together, and the open-fronted gown laced over a kirtle with a wide band of rich fabric, often jeweled and embroidered, across the bust.
Charles V, king of Spain, Naples, and Sicily and Holy Roman Emperor, handed over the kingdom of Spain to his son Philip II and the Empire to his brother Ferdinand I in 1558, ending the domination of western Europe by a single court, but the Spanish taste for sombre richness of dress would dominate fashion for the remainder of the century.
The jackets of boys after breeching lacked adult tails, and this may have influenced the adult tail-less styles which developed, initially for casual wear of various sorts, like the smoking-jacket and sports jacket. After the First World War the wearing of boy's dresses seems finally to have died out, except for babies.
Harold Godwinson, last Anglo-Saxon king of England, as depicted in the Bayeux Tapestry. He is shown wearing a tunic, cloak, and hose. Anglo-Saxon dress refers to the clothing and accessories worn by the Anglo-Saxons from the middle of the fifth century to the eleventh century. Archaeological finds in Anglo-Saxon cemeteries have provided the best source of information on Anglo-Saxon costume. It ...
The Visual History of Costume: The Sixteenth Century. 1983 edition (ISBN 0-89676-076-6), 1994 reprint (ISBN 0-7134-6828-9). Edge, David: Arms and Armor of Medieval Knights: An Illustrated History of Weaponry in the Middle Ages. Hearn, Karen, ed. Dynasties: Painting in Tudor and Jacobean England 1530–1630. New York: Rizzoli, 1995.
The Tudor myth is a particular tradition in English history, historiography, and literature that presents the period of the 15th century, including the Wars of the Roses, as a dark age of anarchy and bloodshed, and sees the Tudor period of the 16th century as a golden age of peace, law, order, and prosperity.
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