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On May 17, 2024, GloRilla previewed the song on social media, through a snippet of her with friends during a tour stop. [1] The song immediately became a viral sensation, with the lyrics "It's 7 PM Friday / It's ninety-five degrees / I ain't got no nigga and no nigga ain't got me" being widely used in dance videos on TikTok .
Glorious is the debut studio album by American rapper GloRilla.It was released on October 11, 2024, through Collective Music Group (CMG) and Interscope Records. [2] The record is preceded by two singles: "TGIF" (which peaked at number 28 on the Billboard Hot 100) and "Hollon". [3]
Gloria Hallelujah Woods [1] (born July 28, 1999), known professionally as GloRilla, is an American rapper. Hailing from Memphis, Tennessee , she first became known for her 2022 single " F.N.F. (Let's Go) " (with Hitkidd ), which peaked within the top 50 of the Billboard Hot 100 and was nominated for Best Rap Performance at the 65th Annual ...
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TIME Magazine, though, went a different direction, tapping GloRilla’s club banger, trunk rattler, “TGIF” as their top song of 2024, which is both an intriguing pick and a bit of a surprise ...
TGIF (TV programming block), a former two-hour programming block on the American television network ABC "TGIF" (song), a song by GloRilla "Last Friday Night (T.G.I.F.)", a 2011 single by Katy Perry
On March 21, GloRilla announced the release of her mixtape Ehhthang Ehhthang for April 5. She shared the official artwork, which depicts the rapper sporting just underwear and a red jacket, alongside a pre-save link revealing that the project would include her previously released single "Yeah Glo!" [1] [2] She additionally shared snippets of two tracks that were described as "pure Memphis grit ...
So Seung-geun of IZM gave "Cupid" 4.5 out of 5 stars, writing that Fifty Fifty had found their own color. [29] Music critic Kim Yoon-ha from Yes24 noted how "Cupid" highlighted the vocals, putting them to the forefront instead of considering the voice as one of several instruments, stating that this approach reminded Kim of the Korean songs of the late 2000s rather than modern K-pop. [30]