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When the companions and friends of the Prophet of Islam asked him: "How should we send blessings, peace, and greetings upon you?" the Prophet of Islam included the word « آلِ », "Al" (meaning family, household or progeny) in his Salawat and asked for all the mercy and blessings that were requested from God for his family too, this meaning, the Prophet Muhammad wants all the mercy and ...
Out El Kouloub (1899–1968) also known as Qut-al-Qulub or Qut al Qulub al Demerdashiyya, was a female Arab writer. Much confusion arises over her three names as she has been a prominent writer in many languages including Arabic and French. She grew up in Cairo, but eventually fled when the Nasser regime came to power.
Tala al-Badr Alayna (Arabic: طلع البدر علينا, romanized: Ṭalaʿ al-Badr ʿAlaynā) is a traditional Islamic nashid that the Ansar Muslims of Medina supposedly sang for the Islamic prophet Muhammad upon his arrival at Medina.
He was born in 1900 in the town of Saeedabad, which is located in the Azad Kashmir region of present-day Pakistan. [7] [8]He began his formal education at local madrasas (Islamic schools) in Azad Kashmir. [9]
Al-Makki's most influential work, "Qut al-qulub fi mu'amalat al-mahbub wa wasf tariq al-murid ila maqam al-tawhid", or “The Sustenance of Hearts,” is a systematic exploration of Sufism and the ‘knowledge of hearts’. [1] This knowledge, known as Ma'rifa, is accessible through inward and outward deeds of devotion to God.
The Arabic title of this work was "Al-Hidayah ila Fara'id al-Qulub." In English, 'The Duties of the Heart'. He was induced to undertake this work by Meshullam ben Jacob and his son Asher, at whose desire he translated the first treatise, in 1161. After its completion Joseph Kimhi translated the other nine treatises and afterward the first one ...
Ahmed Ibn Abu al-Hussain al-Nuri (Persian: ابو الحسین النوری) (died 908 AD), known also as Nuri, was a famous early Sufi saint. [1] He was of Persian origins, but born in Baghdad in 840 CE where spent most of his life. [2]
However, there has not been any serious research using scientific methodology on a diverse sample of listeners (whether Arab or non-Arab) proving that they feel the same emotion when hearing the same maqam. Attempting the same exercise in more recent tonal classical music would mean relating a mood to the major and minor modes.