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Joint frequency encoding is an encoding technique used in audio data compression to reduce the data rate. The idea is to merge a given frequency range of multiple sound channels together so that the resulting encoding will preserve the sound information of that range not as a bundle of separate channels but as one homogeneous data stream.
Audio mixing is the process by which multiple sounds are combined into one or more audio channels. In the process, a source's volume level, frequency content, dynamics, and panoramic position are manipulated or enhanced. This practical, aesthetic, or otherwise creative treatment is done in order to produce a finished version that is appealing ...
For example, on DVD-Audio or Super Audio CD, a separate stereo mix can be included along with the surround mix. [18] Alternatively, the program can be automatically downmixed by the end consumer's audio system. For example, a DVD player or sound card may downmix a surround sound program to stereo for playback through two speakers. [19] [20]
In audio engineering, a bus [1] (alternate spelling buss, plural busses) is a signal path that can be used to combine (sum) individual audio signal paths together.It is typically used to group several individual audio tracks which can be then manipulated, as a group, like another track.
A monitor engineer and console at an outdoor event. Live sound mixing is the blending of multiple sound sources by an audio engineer using a mixing console or software. Sounds that are mixed include those from instruments and voices which are picked up by microphones (for drum kit, lead vocals and acoustic instruments like piano or saxophone and pickups for instruments such as electric bass ...
[1] [2] [3] The dialogue stem is used by itself when editing various scenes together to construct a trailer of the film; after this some music and effects are mixed in to form a cohesive sequence. [4] In music mixing for recordings and for live sound, stems are subgroups of similar sound sources. When a large project uses more than one person ...
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A later version, the CSG-2 in R&D in 1973 may have encoded both audio channels, but may have used half the phase shift per channel, and perhaps provided a smoother frequency response. The most common listing of 90 degrees out of phase corresponds to Haeco's own recommended [ 1 ] setting of the +3 dB build up, whereas no build-up would require a ...
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