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His first productions were drawing-books, consisting of pencil sketches and studies of trees; they were printed in tints with two stones, allowing the reproduction of more elaborate drawings. His Sketches at Home and Abroad, a series of fifty plates using this method, was published in 1836.
The participants had to draw the Triborough Bridge, about to be built back then, and Kautzky's design received 100% marks. [6] Pencil Point submission in 1935 by Ted Kautzky for which he won the first prize. In 1935, the architectural magazine Pencil Points, later called Progressive Architecture, began a monthly pencil sketch competition.
Like the culinary art of the Jiangsu cuisine, the art of Jiangsu Penjing (蘇派盆景) is also complicated, with the crowns of the trees often being shaped like clouds. [citation needed] Sichuan Style Sichuan Penjing (川派盆景) tends to be well-knit, simple and unsophisticated. [citation needed] Shanghai Style
The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
The drawing is related to the painting W37 : The Raising of the Cross: 1628-1629: Black chalk, heightened with white, framing lines in pencil and with the pen and brown ink: 19.3 x 14.8 cm: Museum Boijmans Van Beuningen, Rotterdam: The drawing is related to the painting W106 : Two Sitting Figures: c. 1628-1629: Black chalk: 19.3 x 14.8 cm
For Forest was a temporary art intervention by Klaus Littmann that took place from 8 September to 27 October 2019 in Klagenfurt (Austria). 299 trees of up to 14 meters high were placed on the football field of the Wörthersee Stadium. Entrance was free and visitors could come discover the artwork from different perspectives day and night (10 am ...
As with many of his works, this painting draws from the countryside near his early home. It includes two common elements from Shishkin's work: pine trees, and a road leading away from the viewer. Two earlier works in the collection of the Tretyakov, made by Shishkin in the 1860s, show travellers among fields of rye. Pencil sketch, 1877
Camel (in rhythmic landscape with trees) 48 x 42 Kunstsammlung Nordrhein-Westfalen, Düsseldorf Oil on canvas 1920 Angelus Novus: 31.8 x 24.2 Israel Museum, Jerusalem Oil transfer monoprint 1920 The Lamb: 31.3 x 40.7 Städel Museum, Frankfurt Oil and pen and ink 1920 Tree and Architecture - Rhythms: 27.9 x 38.3 National Gallery of Art ...