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It is followed by the album's lead single, "Birdhouse in Your Soul". Although the melody for "Birdhouse" was written years prior to the lyrics, the lyrics were "shoehorned in to match the melody", according to Linnell. [6] The narrative is given from the point of view of a child's nightlight. [16]
Turbo (Music from the Motion Picture) is the soundtrack to the 2013 DreamWorks Animation film of the same name.Released by Relativity Music Group on July 15, 2013, it featured several pop, rock and EDM tracks, from artists such as Run-DMC, Tom Jones, The Jackson 5, Pitbull and Lil Jon among several others. [1]
Hear the bass go zoom / Have a body, feel the groove / Cyber system overload / Everybody movement!" This will updated when the full song drops. This article was originally published on TODAY.com
In 2009, a mashup of "I'm in Miami Bitch" and Dutch DJ Chuckie's 2008 single "Let the Bass Kick" was released, entitled "Let the Bass Kick in Miami Bitch". The single performed well in Europe, becoming a top-ten hit in the United Kingdom. [7] In 2010, the duo were featured on the song "Gettin' Over You" by French house producer David Guetta ...
No One Can Do It Better is the debut studio album by The D.O.C., released on July 13, 1989, by Ruthless Records and Atlantic Records.It reached no. 1 on the US Top R&B/Hip-Hop Albums chart for two weeks, while peaking in the Top 20 on the Billboard 200 chart.
"Let Me Go, Rock 'n' Roll" is a song by the American hard rock band Kiss, released in 1974. It was released as the only single from their second album Hotter Than Hell. Even though the song failed to chart, it is a staple in their live concerts. The B-side was the album title track, "Hotter Than Hell".
Ernest Ball at the Songwriters Hall of Fame; Free scores by Ernest Ball at the International Music Score Library Project (IMSLP) Free scores by Ernest Ball in the Choral Public Domain Library (ChoralWiki) Sheet Music for "Let the Rest of the World Go By"; music by Ernest R. Ball; lyrics by J. Keirn Brennan, M. Witmark & Sons publisher, 1919.
The track's drum rhythm and trademark bubbling bass line signal the start of the song. A slithering guitar lick skips the above its rhythm section before being overtaken by the high, squealing feedback of crunching guitar. It is nearly a full minute into the song before the introduction of its vocal melody, with Deal slyly cooing humorous lyrics.